{"id":6529,"date":"2023-02-10T11:02:00","date_gmt":"2023-02-10T11:02:00","guid":{"rendered":"https:\/\/circusnext.eu\/portfolio\/basile-herrmann-philippe-maxime-steffan\/"},"modified":"2023-03-01T11:09:46","modified_gmt":"2023-03-01T11:09:46","slug":"basile-herrmann-philippe-maxime-steffan","status":"publish","type":"portfolio","link":"https:\/\/circusnext.eu\/en\/portfolio\/basile-herrmann-philippe-maxime-steffan\/","title":{"rendered":"Basile Herrmann Philippe &amp; Maxime Steffan"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"6529\" class=\"elementor elementor-6529\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-41671821 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"41671821\" data-element_type=\"section\" data-settings=\"{&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a32e35e\" data-id=\"a32e35e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-38533dd8 elementor-widget elementor-widget-heading\" data-id=\"38533dd8\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h6 class=\"elementor-heading-title elementor-size-default\">Basile Herrmann Philippe & Maxime Steffan<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4e9ed35b elementor-widget elementor-widget-heading\" data-id=\"4e9ed35b\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h6 class=\"elementor-heading-title elementor-size-default\">Broths \/ et autres paysages<\/h6>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-481a077f elementor-widget elementor-widget-text-editor\" data-id=\"481a077f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>THE PROJECT <span>\/<\/span><\/strong>Within a space, we have created two solos in cohabitation, made of dreams, bodies and spaces in movement: a poetic plan of sharing for our time. The witness-spectator moves freely, choosing their points of view, building their own interpretation through their imagination. It is a naive documentary of our practices, we build our huts and reactivate ruins. The bodies translate a humble practice of the circus, out of the constraint of the risk and the exploit. It is two bodies, two friends, two practices that weave together a writing made of movements and silences.<\/p><p><strong>BIO \/<\/strong><\/p><p><strong>Basile Herrmann Philippe<\/strong><br \/>Basile works between Europe and Quebec. Trained at the National Circus School of Montreal\/Tiohti\u00e0:ke, he opened up to performance art thanks to Peter James and Nien Tzu Weng (Through us _comme espaces_ passions, 2021).<br \/>His personal practice focuses on a duet with a big mat in the shape of a donut (Within, 2019), where he links the circus body, sound movement and visual arts.<br \/>He collaborates with the collectives The Circus Dialogues and Valby Ruta and continues to look for other collaborators with whom to sculpt other creative spaces.<\/p><p><strong>Maxime Steffan<\/strong><br \/>Maxime is one of the co-founders of LA HORDE DANS LES PAV\u00c9S, a collective of wandering in public spaces that has just created its first show<em> Impact d\u2019une course [name of the place]<\/em>.\u00a0<br \/>After his studies in CNAC, he turned to contemporary dance. Today he likes to question the performance and strength relationships that were asked of his body; to displace the qualities that were expected of him as a carrier\/acrobat.<br \/>From a body trained for exploit, a consequence of his apprenticeship, he likes today to consider it as soft and adapting\/blending into the encountered spaces\/texture.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-21712fca e-con-full e-flex e-con\" data-id=\"21712fca\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;,&quot;jet_parallax_layout_list&quot;:[]}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-72458e1a btn-animated-border yes elementor-widget__width-auto aleft elementor-widget-icon-box wgl-icon-box animation-specify-default elementor-widget elementor-widget-wgl-button\" data-id=\"72458e1a\" data-element_type=\"widget\" data-widget_type=\"wgl-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<a  class=\"wgl-button btn-size-md \" role=\"button\" href=\"https:\/\/www.instagram.com\/basile_ph.l.ppe\/?hl=fr\" target=\"_blank\"><div class=\"button__content align-icon-left\"><div class=\"media-wrapper icon-wrapper\"><span class=\"wgl-icon\" ><i class=\"icon elementor-icon flaticon flaticon-instagram\" aria-hidden=\"true\"><\/i><\/span><\/div><span class=\"button__text\"><\/span><\/div><\/a>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a8927a6 btn-animated-border yes elementor-widget__width-auto aleft elementor-widget-icon-box wgl-icon-box animation-specify-default elementor-widget elementor-widget-wgl-button\" data-id=\"a8927a6\" data-element_type=\"widget\" data-widget_type=\"wgl-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<a  class=\"wgl-button btn-size-md \" role=\"button\" href=\"https:\/\/www.instagram.com\/maxstfn\/?hl=fr\" target=\"_blank\"><div class=\"button__content align-icon-left\"><div class=\"media-wrapper icon-wrapper\"><span class=\"wgl-icon\" ><i class=\"icon elementor-icon flaticon flaticon-instagram\" aria-hidden=\"true\"><\/i><\/span><\/div><span class=\"button__text\"><\/span><\/div><\/a>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6b930e71 btn-animated-border yes elementor-widget__width-auto aleft elementor-widget-icon-box wgl-icon-box animation-specify-default elementor-widget elementor-widget-wgl-button\" data-id=\"6b930e71\" data-element_type=\"widget\" data-widget_type=\"wgl-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<a  class=\"wgl-button btn-size-md \" role=\"button\" href=\"https:\/\/www.facebook.com\/basile.philippe\/\" target=\"_blank\"><div class=\"button__content align-icon-left\"><div class=\"media-wrapper icon-wrapper\"><span class=\"wgl-icon\" ><i class=\"icon elementor-icon flaticon flaticon-facebook-circular-logo\" aria-hidden=\"true\"><\/i><\/span><\/div><span class=\"button__text\"><\/span><\/div><\/a>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0c986c2 btn-animated-border yes elementor-widget__width-auto aleft elementor-widget-icon-box wgl-icon-box animation-specify-default elementor-widget elementor-widget-wgl-button\" data-id=\"0c986c2\" data-element_type=\"widget\" data-widget_type=\"wgl-button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<a  class=\"wgl-button btn-size-md \" role=\"button\" href=\"https:\/\/www.facebook.com\/maxime.steffan\" target=\"_blank\"><div class=\"button__content align-icon-left\"><div class=\"media-wrapper icon-wrapper\"><span class=\"wgl-icon\" ><i class=\"icon elementor-icon flaticon flaticon-facebook-circular-logo\" aria-hidden=\"true\"><\/i><\/span><\/div><span class=\"button__text\"><\/span><\/div><\/a>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Basile Herrmann Philippe &#038; Maxime Steffan Broths \/ et autres paysages THE PROJECT \/Within a space, we have created two solos in cohabitation, made of dreams, bodies and spaces in movement: a poetic plan of sharing for our time. The witness-spectator moves freely, choosing their points of view, building their own interpretation through their imagination. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6268,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","portfolio-category":[138,139,140],"portfolio-tag":[],"class_list":["post-6529","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio-category-2023-en","portfolio-category-finalists","portfolio-category-fr-en"],"_links":{"self":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/portfolio\/6529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/comments?post=6529"}],"version-history":[{"count":7,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/portfolio\/6529\/revisions"}],"predecessor-version":[{"id":6640,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/portfolio\/6529\/revisions\/6640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/media\/6268"}],"wp:attachment":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/media?parent=6529"}],"wp:term":[{"taxonomy":"portfolio-category","embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/portfolio-category?post=6529"},{"taxonomy":"portfolio-tag","embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/portfolio-tag?post=6529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}