{"id":13634,"date":"2024-05-18T16:59:02","date_gmt":"2024-05-18T16:59:02","guid":{"rendered":"https:\/\/circusnext.eu\/?p=13634"},"modified":"2025-02-10T11:44:30","modified_gmt":"2025-02-10T11:44:30","slug":"circusnext-2024-laureates","status":"publish","type":"post","link":"https:\/\/circusnext.eu\/en\/circusnext-2024-laureates\/","title":{"rendered":"circusnext 2024 Laureates"},"content":{"rendered":"\t\t
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The 2024 circusnext Laureates have finally been announced ! To discover on 5 & 6 June at the Th\u00e9\u00e2tre de la Cit\u00e9 internationale (Paris)<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Noa Aubry<\/span>\u00a0(France)\u00a0<\/span>L\u00e0 o\u00f9 la nuit n\u2019est pas si loin puisque le jour s\u2019en va d\u00e9j\u00e0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Taigi Cirkas\u00a0<\/a><\/span>(Lithuania)\u00a0 <\/span>Saucisson<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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La V\u00edspera\u00a0<\/a><\/span>(Spain)\u00a0 \u00a0<\/span>Fragmentos<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Maison <\/a>Courbe\u00a0<\/a><\/span>(France)\u00a0 <\/span>Le Bruit des Pierres<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Noa Aubry, L\u00e0 o\u00f9 la nuit n’est pas si loin puisque le jour s’en va d\u00e9j\u00e0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Joseph Banderet<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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German wheel \u00b7 Creation 2025<\/b><\/span><\/p>

Inspired by the movement of waves,\u00a0L\u00e0 o\u00f9 la nuit n\u2019est pas si loin puisque le jour s\u2019en va d\u00e9j\u00e0<\/i>\u00a0explores time and the traces it leaves behind. Noa Aubry uses the German wheel to look at the resistance to movement and creates a slow repetitive style, reminiscent of the ocean.\u00a0<\/p>

After studying classical guitar at the Conservatoire de Montreuil, Noa Aubry discovered the German wheel and trained as a circus artist at the ENACR and then the CNAC.\u00a0L\u00e0 o\u00f9 la nuit n\u2019est pas si loin puisque le jour s\u2019en va d\u00e9j\u00e0<\/i>\u00a0is her first creation.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Taigi Cirkas (Elena Kosovec, Izabele Kuzelyte), Saucisson<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Joseph Banderet<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Aerial acrobatics \u00b7 Creation 2025<\/b><\/span><\/p>

What happens when the artist loses control? When an object becomes uncontrollable, absurd, or even reveals a absent feeling?\u00a0<\/span>Saucisson<\/i>\u00a0<\/span>is about the desacralisation of the props and the circus body. A multidisciplinary creation that blends visual art, aerial acrobatics, and opera, freely inspired by surrealism and theatre of the absurd.\u00a0<\/p>

Director of the Contemporary Circus Association in Lithuania, Elena Kosovec studied drama at ESAC in Brussels and CNAC in Ch\u00e2lons-en-Champagne. Izabele Kuzelyte trained at FLIC in Turin and currently works in Munich with the local community as part of the Contemporary Circus Association. In 2016, they founded the Taigi Cirkas company in Vilnius.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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La V\u00edspera (Vinka Delgado, Diego Hernando), Fragmentos<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Joseph Banderet<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Chinese pole, puppets \u00b7 Creation 2025<\/b><\/p>

Fragmentos<\/i>\u00a0divides the body to better understand it. The artists take an intimate and poetic approach
to explore the distortion and disintegration of the body. Masks, puppetry, and light research open a discussion on pain and how it can be relieved through fragmentation. When suffering becomes too intense, the mind splits.<\/p>

After studying fine arts, circus and theatre, Vinka Delgado focused on the creation of puppets, masks, costumes and set design. Diego Hernando studied sound engineering and became a video and lighting technician. He then trained in circus and theatre. Together they founded La V\u00edspera in Granada, <\/span>Fragmentos<\/i> is their second creation.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Maison Courbe\u00a0<\/span>(Nina Harper, Domitille Martin, Ricardo Cabral)\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Le Bruit des Pierres<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Joseph Banderet<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Acrodance, aerial \u00b7 Creation 2025<\/b><\/p>

What can we learn from stones? In this hybrid creation, they are transformed into suspended props and real stage partners. While questioning the relationship between Western humans and their environment, the performers evolve and create a choreography of suspension, imbalance, and collapse.\u00a0<\/p>

Nina Harper is a Brazilian dancer, circus artist and director based in France. She graduated in circus arts from the Acad\u00e9mie Fratellini and in performing arts from the Universit\u00e9 Paris 8. Domitille Martin is a French visual artist and sculptor who graduated from the \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs in Paris. Ricardo Cabral is a Brazilian artist and researcher specialising in the performing arts, with a degree from the Universidade Federal do Rio de Janeiro.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

circusnext 2024 Laureates<\/p>\n","protected":false},"author":4,"featured_media":13776,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[367],"tags":[],"class_list":["post-13634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-laureates"],"_links":{"self":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/posts\/13634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/comments?post=13634"}],"version-history":[{"count":19,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/posts\/13634\/revisions"}],"predecessor-version":[{"id":13843,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/posts\/13634\/revisions\/13843"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/media\/13776"}],"wp:attachment":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/media?parent=13634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/categories?post=13634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/tags?post=13634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}