{"id":20597,"date":"2025-10-23T13:35:28","date_gmt":"2025-10-23T13:35:28","guid":{"rendered":"https:\/\/circusnext.eu\/?p=20597"},"modified":"2025-11-27T11:53:39","modified_gmt":"2025-11-27T11:53:39","slug":"inbal-ben-haim-2021-laureate-at-the-theatre-de-rungis","status":"publish","type":"post","link":"https:\/\/circusnext.eu\/en\/inbal-ben-haim-2021-laureate-at-the-theatre-de-rungis\/","title":{"rendered":"Inbal Ben Haim (2021 Laureate) at the Th\u00e9\u00e2tre de Rungis\u00a0"},"content":{"rendered":"\t\t
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On 31 January 2026, Inbal Ben Haim (2021 <\/span>circusnext<\/span> Laureate<\/span><\/span>) presents her latest creation <\/span><\/span>Anitya \u2013 L’impermanence<\/span><\/span><\/em> at the Th\u00e9\u00e2tre de <\/a><\/span>Rungis<\/span>.<\/span><\/span>\u00a0<\/span><\/h5>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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* Due to an artist\u2019s injury, the performance scheduled for Friday, November 28 at 20:30 has been postponed to Saturday, January 31 at 18:00\u00a0<\/span><\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\u00a9 Gregory Rubinstein, Collectif Fous Furieux<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Inbal<\/span> Ben <\/span>H<\/span>aim<\/span><\/span> <\/span>\u00b7 <\/span>Anitya<\/span> \u2013 L’impermanence<\/span><\/em> <\/span><\/span>\u00b7 Rope<\/span>, <\/span>vi<\/span>sual<\/span> arts \u00b7 S<\/span>olo <\/span><\/span>\u00a0<\/span><\/span><\/span><\/strong><\/h6>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Through the art of knitting, aerial suspension meets threads of cotton. It speaks of destruction and collective reconstruction \u2014 an artistic metaphor for what human societies are experiencing today.<\/strong><\/p>

To remember the impermanence of all things \u2014\u00a0<\/span>Anitya<\/i> \u2014 is one of the founding principles of Buddhism. For Inbal Ben Ha\u00efm, this notion, which resonates deeply with the chaos of our times, is an invitation not to surrender to despair. After every act of destruction, there lies the promise of renewal. This is what she seeks to bring to life, in close complicity with the audience, through a performance that bridges circus and visual art \u2014 where aerial suspension intertwines with the practice of weaving. A thousand metres of tangled thread form a scenography that vibrates through space. <\/span>At once organic and tactile, this sculpture \u2014 animated by the artist\u2019s moving body \u2014 vanishes before our eyes and between our hands. It leaves behind an emptiness we must fill together. The aesthetic process engages us both physically and emotionally. Together, we form a collective body, accomplishing an act greater than ourselves. This \u201csolo for many\u201d becomes a powerful revelation of the human soul\u2019s creative force.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Inbal Ben Haim<\/strong><\/p>

Born in Jerusalem, Israel in 1990, Inbal Ben Haim has developed a dual path in visual arts, sports and movement arts. She discovered aerial circus at the age of 13 through the Free Dome Project and later with Cirque Shabazy. After completing her civil service in Israel, where she developed a circus pedagogy for at-risk youth, Inbal Ben Haim moved to France. There she honed her aerial skills at circus schools such as Piste d\u2019Azur and the Centre National des Arts du Cirque in Ch\u00e2lons-en-Champagne. <\/span>Specialising in vertical rope, she weaves a unique relationship between body and material. Her artistic language lies at the intersection of circus and the visual arts, balancing the intimate and the spectacular, the here and the elsewhere.<\/span>
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In 2018, she co-created the show\u00a0<\/span>RACINE(S)<\/i>\u00a0with L\u2019Attraction Compagnie. Her second creation,\u00a0<\/span>PLI<\/i>, co-created with Domitille Martin and Alexis M\u00e9rat, was a 2021 circusnext laureate and supported by Les Subs as delegated producer.<\/span>
Inbal Ben Haim was an associate artist at CCN2 in Grenoble from 2020 to 2022 and will become an associate artist with circusnext in 2024. She is also a member of the Maison Courbe collective.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Practical info\u00a0<\/h6>

Saturday 31 January \u00b7 18:00\u00a0<\/strong> <\/span><\/p>

Th\u00e9\u00e2tre de Rungis – <\/span>1 Pl. du G\u00e9n\u00e9ral de Gaulle, 94150 Rungis<\/span><\/a>\u00a0<\/span><\/p>

Duration 1 hour \u00b7 <\/span>From 11 years old<\/span>\u00a0<\/span><\/p>

From 5\u20ac to 20\u20ac<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In partnership with le Th\u00e9\u00e2tre de Rungis<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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With the support of la Fondation de France\u00a0<\/em><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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On 31 January 2026, Inbal Ben Haim (2021 circusnext Laureate) presents her latest creation Anitya \u2013 L’impermanence at the Th\u00e9\u00e2tre de Rungis.\u00a0 * Due to an artist\u2019s injury, the performance scheduled for Friday, November 28 at 20:30 has been postponed to Saturday, January 31 at 18:00\u00a0 \u00a9 Gregory Rubinstein, Collectif Fous Furieux Inbal Ben Haim […]<\/p>\n","protected":false},"author":64,"featured_media":20719,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_jet_sm_ready_style":"","_jet_sm_style":"","_jet_sm_controls_values":"","_jet_sm_fonts_collection":"","_jet_sm_fonts_links":"","footnotes":""},"categories":[355],"tags":[],"class_list":["post-20597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-show"],"_links":{"self":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/posts\/20597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/users\/64"}],"replies":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/comments?post=20597"}],"version-history":[{"count":26,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/posts\/20597\/revisions"}],"predecessor-version":[{"id":21507,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/posts\/20597\/revisions\/21507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/media\/20719"}],"wp:attachment":[{"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/media?parent=20597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/categories?post=20597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/circusnext.eu\/en\/wp-json\/wp\/v2\/tags?post=20597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}