Noa Aubry
Là où la nuit n’est pas si loin puisque le jour s’en va déjà
Pablo Panailillo · Nicolas Palma · Cristobal Espoz
THE PROJECT / Inspired by the movement of waves, Là où la nuit n’est pas si loin puisque le jour s’en va déjà explores time and the traces it leaves behind. Noa Aubry uses the German wheel to look at the resistance to movement and creates a slow repetitive style, reminiscent of the ocean.
BIO / Noa’s formative years were shaped by crossing diverse landscapes by car every other weekend, accompanied by the melodies of Michel Berger, Daniel Balavoine, Christophe, or Leonard Cohen. In the meantime, she pursued classical guitar studies at the Conservatoire de Montreuil. She then discovered German wheel, propelling her through new domains and spaces, driving her to study at ENACR, then at CNAC.
Guided by her musical odyssey, a deep appreciation for words—whether reading, writing, or speaking—and a profound fascination with the body, both in its physicality and symbolic significance, Noa navigated across artistic realms, transcending conventional boundaries. Her conception of the performing arts hinges on the intersection of the intelligible and the sensitive, with the living body serving as an eternal compass.
© Jean-Léo Bost
